Cusack succeeds in delighting his readers with Momo, too, but only if traditional definition of “delight” is expanded to include hard-earned enlightenment. The story piles on enough facts, half-facts, and non-facts to create cognitive dissonance, which only then leads to something delightful: the moment when the reader asks where the truth is. Or more precisely, how much they’re being lied to.
Evan Brown on John Cusack's disorienting graphic novel Momo via x.com
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